Scripting and Storyboarding Will Kill Your Conservation Documentaries

Storyboarding

Scripting and Storyboarding Will Kill Your Conservation Documentaries

WorkCabin Films’ documentary filmmaking style uses an in-the-field, as-it-happens technique. The scripting and storyboarding method you see in corporate videos and commercials has become practically extinct in nature documentaries. And for good reason: When it comes to nature, viewers crave realness.

Unfortunately, the desire to stuff conservation documentaries with stiff messaging and scripted choregraphy and talking points still exists in some circles. My first reaction to this is always: Have you watched most nature documentaries today? Aside from a voiceover narration (ie. David Attenborough), very little is scripted.

Here’s why the in-the-field, as-it-happens approach to conservation filmmaking approach is often superior:

Authenticity & Emotional Impact

Conservation stories are most powerful when they capture real moments. Unpredictable animal behaviour, unfiltered human reactions, are all part of the raw beauty of nature. A rigid script can’t anticipate these spontaneous, emotionally charged events.

Adaptability to Unpredictable Conditions

Nature doesn’t follow a script. Weather, wildlife, and conservation work itself are inherently unpredictable. A flexible, real-time approach allows filmmakers to respond to the environment rather than trying to force pre-planned shots that may not align with reality or strict corporate messaging.

Stronger Storytelling Through Discovery

Some of the best conservation stories reveal themselves in the field. A documentary that evolves naturally can uncover unexpected narratives that may be more compelling than the original plan. This organic storytelling keeps the film dynamic and engaging.

More Genuine On-Camera Interviews

People working in conservation often feel more comfortable and natural when speaking unscripted in their environment. Instead of stiff, rehearsed lines, you capture authentic passion and expertise, which resonates more with audiences.

Efficiency & Cost-Effectiveness

Gosh, I’ll say this over and over: Pre-scripting and storyboarding require significant pre-production time, and if nature doesn’t cooperate, that effort can go to waste. What’s worse, when everything must go by the script it becomes a costly decision as script changes during filming and post-production early drafts only add to your invoice. On the flipside, filming as events unfold reduces unnecessary planning and allows for a leaner production process, especially important for conservation projects with tight budgets.

Greater Audience Engagement

Want your viewers to stop watching your video fast? Viewers can tell when something feels overly produced. A real-time, immersive approach makes them feel like they are right there in the field, anticipating and experiencing the challenges and triumphs firsthand. This emotional connection can inspire action more effectively than a polished, pre-scripted narrative.

Aligns with Conservation’s Real-World Challenges

Conservation work is not staged. It’s urgent, messy, and full of challenges. A filmmaking approach that mirrors this reality feels more aligned with the cause, reinforcing the credibility of the message.

Now, all of this should not be construed that having a loose structure such as a general outline or key themes is unnecessary. It’s still beneficial to ensure the story remains coherent. But in conservation filmmaking, letting the real world lead the story often results in a more powerful, honest, and effective final film.

Gregg McLachlan
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